The highest opening weekend for a biopic was not only broken, but it was completely shattered with Michael ‘s late April release this year, earning over $217 million worldwide. Ironically rooted in controversy due to its choice of what to depict (or more so not depict), the film avoids anything potentially polarizing and is a certified crowd-pleaser with opening night audiences giving it an A- CinemaScore. Though many critics have called out its sanitized nature, I will only be reviewing this film for what it is – not the ethics of its portrayal.
Right away, the film gets into its rhythm. “Wanna be Starting Something” fills the theater, while the dynamic opening credits roll in anticipation of some of the most iconic music to ever be released. When you have Michael Jackson’s discography at your disposal, it’s almost impossible to mess up the film’s music. Nevertheless, Antoine Fuqua and the Michael team deserve credit for their ability to walk the audience through some of Michael Jackson’s biggest hits so naturally. If you are coming into this film solely for the music, you will not be disappointed. So much of the film’s runtime is devoted to exciting performances, groovy tunes, and mesmerizing vocals. And thus, the movie is incredibly enjoyable and entertaining over its runtime that feels more like ninety minutes than over two hours.
Michael Jackson’s dynamic songs are of course the main driver of the film, but without a lead actor who can represent him accurately, the whole thing falls apart. Fortunately, it seems Jaafar Jackson was born to play this role. The film’s choice to mix his vocals with Michael’s is interesting, but ultimately works well, especially since Jaafar is able to sound so similar on his own. Where Jaafar really stands out though is in his image and movement. Not only does he look like Michael, but he moves so effortlessly and brings the electricity and magnetic energy necessary for the film to succeed. Getting so close to Michael’s looks, demeanor, and presence is really where this film shines. Michael Jackson is one of the most iconic and infectious performers of all time, and this movie converts all of that dazzling electricity to the big screen.
As much as this movie was super enjoyable to watch, I can’t help but notice its lack of depth. I know that in a film like this, having impactful emotional beats is not the focus, but I still can’t help but criticize the film for its superficiality. This is really only an issue because the film opted to include a few moments of vulnerability, but then decided not to explore them. I came into the film knowing that I wasn’t getting a profound character study on Michael or his family, but I couldn’t help leaving the theater wanting a bit more. Perhaps this stems from the reshoots of the third act, but either way, there was a disconnect between the setup and the finale. It would’ve made more sense to completely avoid alluding to Michael’s mental health struggles and more serious parts of his life altogether. Instead, Michael hints at these dramatic topics early on and leaves it there. This kind of noncommittal and incomplete story-telling is what ultimately leaves a bad taste in many people’s mouths.
Still, I can’t say I didn’t enjoy the Michael movie. All of that credit, however, goes to Jaafar Jackson, his uncle’s discography, and the production value of the film. Just make sure you go into the movie knowing that it is not a fully fleshed out story, and you are in for a very fun experience.
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