Joseph

Paul Thomas Anderson’s One Battle After Another is a visually stunning, darkly funny, and emotionally resonant epic, balancing terrifying realism with brilliant performances and breathtaking cinematography.

Lily James leads a biopic that highlights sexism and ambition in tech but leans on clichés and oversimplification, turning a potentially interesting story into a predictable, surface-level flick.

Despite strong supporting performances and ideas, Eenie Meanie is an unfortunately generic film, too scattered to find an identity.

Zach Cregger’s 2025 entry into the horror genre delivers an inventive, unnerving mystery that shifts into slasher thrills in a fresh cinematic experience.

A charming meandering story, Alice-Heart is the embodiment of an indie debut that feels both authentic and a little insightful.

Amazon Prime Video’s blatant advertising, unnatural script, and seemingly little time spent on this War of the Worlds remake deems it as one of the worst widely released movies in recent memory.

Marvel’s new take on the Fantastic Four story offers grounded character work and a strong performance from Pedro Pascal

Almost as unhinged as the original, Happy Gilmore 2 feels like a throwback to the late nineties, but only as a movie you’d put on while flipping through channels.

James Gunn provides a likeable Superman movie that, for better or worse, doesn’t take too many risks

Jon M. Chu’s Wicked has the makings of a future beloved classic, despite a few setbacks.

Joker: Folie à Deux presents ambitious themes but suffers from questionable execution.